Oscar de la Renta Fall-Winter 2012-13 RTW

It’s like Breakfast at Tiffany’s meets Gossip Girl’s Manhattan, the American designer Oscar de la Renta presented his last Fall Winter 2012-2013 collection with the most tender and precious colors and prints, as if it’s dedicated to a young lady of the American fashionistas and socialites.

Inspired by sparkling jewelries, like diamonds, crystals, and pearls, the runway featured elegant women with timeless class and way of dressing, as they donned plenty of lavish dresses, skirtsuits, and twinsets for the most exclusive Park Avenue parties.

The youthful aura came through in any number of ways, including the mostly short, full-skirted silhouettes, the baby pinks, pastel creams, and powder blues, as well as the ribbons affixed with gobstopper crystals worn by the models in their hair. Not to mention the Persian and Indian inspiration full of embellishment, such as baroque floral prints worn head to toe, and jeweled prints and embroideries all over sheath dresses, colorful silk prints, accented cardigans, tiny candy-hued mink jackets, skinny pants, oversize parkas and nip-waist coats, which both came with fox collars, have truly sparked the entire lines.

Isn’t enough with that, Oscar de la Renta also added more Cinderella style into his collection, featuring glamorous nightgowns, draped tulle gowns, coats with jeweled headbands and pearl pendants, crystal tiaras and bejeweled box clutches.

Delightful dresses from Oscar de la Renta Fall/Winter 2012-2013 ready-to-wear collection. While the pre-fall 2012 offering looked fit for aspiring glamazons, this collection has many pieces for the romantic princess at heart. Above, rosé silk cloque and tulle draped off the shoulder ball gown — 100% wedding dress material right here! Below, silver and rosé tulle draped strapless gown.

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Oscar de la Renta Spring-Summer 2013 RTW

Oscar de la Renta caught the optimism of the season in his exuberant show, and as ever he did it his way, from the wild Pre-Raphaelite hair (he was sick of looking at the models arriving for their fittings with depressing, lanky tresses) to the “virtual” high-heeled booties (the main body of the shoe done in clear plastic).

Oscar opened with a ball gown (and why not?), or at least a breezy summer take on one, with a skimpy bodice of black cotton lace and a billowing skirt of mustard taffeta. That cotton lace (in white, like the Sunday-best tablecloths on an Aeolian island) was used for sheath evening dresses that erupted into volume below the knee, and full-skirted sundresses—and floral elements cut out from it were luxuriously scattered over everything from Chanel-esque silk-tweed cardigan suits to Infanta ball gowns.

Oscar does insouciant luxe like no one else—a candy-pink Persian lamb cardigan over ivory Oxford bags, anyone? An ebony sequin cocktail frock shimmied with white tassels? A sleeveless top fronded with lime ostrich over citrus chiffon sarouel pants? Like the consummate couture-centric designer that he is, Oscar thinks above all about his client, and from this heady smorgasbord that runs the gamut from a silvered lamé Fortuny-pleat evening sheath to a Sissi of Austria ball dress in white faille wrapped in black tulle, there will be something for each of his front-row ladies from Nancy Kissinger to Marina Rust to Nicki Minaj.

via: vogue

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